I fully understand, but everyone that posts does not have all the info and although they may be correct and certainly have the right to state their thoughts we should remember that most of our info is the opinion of another and filtered in some way. Again, someone's opinion might be dead on center, but that opinion was probably made with some information...maybe a lot of information...maybe some personal experience and a lot of information and entirely possible that the poster knows more than 99.99% of the population of 350,000,000 leaving 35 that still know more. It's just that...we can only form our opinions on what info we have and nothing wrong with that...we just need to remember our info is limited.
There is a rather famous painting...and I can't recall the name (wish I could), but it is a little girl in the meadow laying down in the grass with an old barn in the background on a hill where those objects close to her are magnified in size, because that is her world...that is what she sees and touches. Her view would be different had she been close to the barn. Now I can't recall if she was crippled because this painting is taking me back to over 4 decades ago.
Since I'm on a tangential thought, I think it may have been beazelbub that mentioned I hope we don't go into an isolation approach and in a book I'm currently reading it talks about all the different regions, countries that fell from greatness when isolated for a decade or so thinking there was nothing they could learn in the future from those behind at the moment. The other countries as a result of an emphasis on knowledge grew and passed them. I'm not sure a couple of years is a problem and think with the net, isolation is impossible.
probably not an interest to many, but I surprised myself in how quickly I could find something having some things to put in a string to search...
The Painting I mentioned is Christina's World.
Who is the woman in Andrew Wyeth's striking painting
Christina's World, and why is she sprawled in a field, looking longingly toward a far-off farmhouse? For decades, these questions have drawn in viewers, but the true story behind
Christina's World makes the 1948 painting even more intriguing.
1. There Was a real Christina.
The 31-year-old Wyeth modeled the painting's frail-looking brunette after his neighbor in South Cushing, Maine.
Anna Christina Olson suffered from a degenerative muscular disorder that prevented her from walking. Rather than using a wheelchair, Olson crawled around her home and the surrounding grounds, as seen in
Christina's World.
2. Olson's spirit inspired Wyeth's most popular piece.
The neighbors first met in 1939 when Wyeth was just 22 and courting 17-year-old Betsy James, who would later become his wife and muse. It was James who introduced to Wyeth to the 45-year-old Olson, kicking off a friendship that would last the rest of their lives. The sight of Olson picking blueberries while crawling through her fields “like a crab on a New England shore” inspired Wyeth to paint
Christina’s World.
"The challenge to me was to do justice to her extraordinary conquest of a life which most people would consider hopeless,"
he wrote. "If in some small way I have been able in paint to make the viewer sense that her world may be limited physically but by no means spiritually, then I have achieved what I set out to do." snip...snip...
Now, I must get off of here and get my mind on a letter I need to write. I just got word late last night that a father I know...maybe 1990 HS grad lost his son around 1:30 AM Tuesday due to a self inflicted gun shot and apparently the shock of that was enough that the father lost his mother who had some declining health issues the same day. The sister of the deceased is a Purdue junior??? Jessica Jordan...